Collapse

In Collapse, HERSOID shifts from the glossy deceit of mass messaging (as seen in Mismanaged Consent) to a quieter, more intimate form of visual decay. This series presents a set of stark, almost forensic images—crumpled cars wrapped around ghostly tree trunks, a building folding in on itself like a failed thought—drawn with surgical precision and …

Despondency

In this piece from HERSOID’s new series Despondency, the tone shifts—but the critical acuity remains razor-sharp. Gone are the algorithmic overlays and biometric identifiers of Working Under Surveillance. Here, the violence is quieter, more intimate. We see a solitary figure curled into herself, crouched low, boots planted, arms wrapped around her knees, face half-hidden behind …

Working under surveillance

HERSOID’s Working Under Surveillance series is a biting, poetic critique of algorithmic oversight and the quiet violence of modern data culture. By overlaying facial recognition markers and alphanumeric IDs onto anachronistic figures—farmhands, gauchos, workers drawn from pastoral or folkloric pasts—the series constructs a visual language that’s both absurd and alarming. It stages a conceptual collision …

Skate Print exhibition CDMX

The only thing I love as much as printmaking is skateboarding. So imagine my delight on discovering the ‘Museo Nacional de Estampa’ downtown today. The building, like most downtown in Mexico city is truly wonderful- typically wonky and threatening to collapse with the next imminent tremor. Inside I discovered the work of Sergio Sanchez Santa …